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• Evangelion 2.0

Contents. Overview Unable to find Asuka and too frightened to face or, runs away yet again, only to meet and strike a friendship with, the replacement pilot for. Kaworu's openness and friendliness provide much-needed comfort for the disturbed Shinji. However, suspicions abound over Kaworu's incredible synchronization abilities, and when he reveals that he is the Seventeenth Angel, Shinji must battle his newfound friend or face the threat of world annihilation.

Synopsis We first see the young finding has hanged herself and then Asuka recently finding out about death from Shinji. Asuka considers herself worthless because she can no longer pilot an Eva.

Intelligence Agents find her in a bathtub in a ruined house, apparently after slitting her wrists in a suicide attempt. A despondent Shinji stands at the edge of the crater lake by sunset, too afraid to go home or face Misato or Ayanami. His attention is drawn by a boy humming the Ode to Joy. Shinji is drawn to Kaworu on their very first conversation.

Misato is suspicious of Kaworu, and Kaworu's awesome synchronization scores befuddle everyone. He soon makes contact with Rei, attempting to give her clues as to her true nature.

He then takes a late shower with Shinji, expressing his empathy for him. Shinji lands up spending the night in his room, talking to him about his past and his feelings about his father, so coming even closer to Kaworu. Meanwhile, Seele meet to discuss Gendo's betrayal of their trust.

The next scene is Gendo discussing his goals with Unit 1's soul, and it is revealed that Adam's embryo has been grafted into his hand. Early in the morning the next day, Kaworu stands on the statue of an Angel, in the center of the crater lake. He talks to himself at first, speaking about how humans are not, before fifteen monoliths appear and speak of 's agenda. In an apparent reference to an earlier conversation, they remind him that they have entrusted him with their wish, and tell him that he is the vessel of 's soul and that Adam's body is with Gendo. Misato watches Kaworu from a distance, but only sees him speaking to himself. Confused, she is even more surprised when he apparently notices her at such a great distance.

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Meanwhile, steals Kaworu's synch data on Misato's behest, and his ability to set his synch rate to any level deepens the mystery. Misato pays a visit to an incarcerated, who thinks Kaworu might be the Final. Ritsuko's suspicions are soon proved to be true.

Kaworu activates Eva-02 externally, and he and his controlled Eva head down to. Grim shock replaces initial confusion, and Shinji is ordered to sortie in. He finds the idea of Kaworu being an Angel unacceptable, and he considers Kaworu as having betrayed the love and faith he placed in him. Newfound friends meet each other as enemies on the way down, and Shinji battles Eva-02 while shouting for Kaworu to stop. Kaworu continues, and tells him the truth about the along the way.

Approaching Terminal Dogma, Kaworu sets up an A.T. Field barrier of unprecedented power to block out Nerv's view. Despite Shinji's best efforts, Kaworu enters the Plant. Hyuga prepares to self-destruct the facility.

However, a second A.T. Field, generated by Rei, shows up before vanishing. She watches Kaworu as he approaches the crucified giant. After initially referring to the giant as Adam, Kaworu realizes his mistake, and identifies it as.

He has a brief moment of realization before Eva-01 throws Eva-02 through the door and grabs him. Kaworu asks Shinji to grant him his final wish-to kill him, or let humanity die. Grudgingly, after a long hesitation, Shinji kills him. Misato tries to convince him he did the right thing, but he remains haunted by his action. On-Air Version Differences. Asuka's shocked expression after slapping Shinji at the news of Kaji's death (along with the spilled coffee-pot from ) is absent.

The brief appearance of the embryo of Adam is absent. The expanded conversion of Kaworu saying Rei is 'the same as him' is absent. The 15 Seele Monoliths at the Lake Scene and Misato spying on Kaworu is absent. Rei's face as she looks at Kaworu in Terminal Dogma is drawn differently in the OA version, although differently drawn faces is something all of the DC episodes have. Lilith's legs have been added due to her growing back her legs in the DC version of. Notes The Next Episode Preview after the end of Episode 24' is a preview for the video-released version of first episode, (Which consists of animatics of Asuka battling the MP Eva Series as well as Misato saying goodbye to Shinji). The video version of Next Episode Preview is shown after Air's video version (This consists of live-action footage of Studio Gainax).

The video version of The End of Evangelion was released on LD and VHS along with Episodes 25 and 26 of the series as Genesis: 13. Analysis Quotes. Shinji, before meeting Kaworu: Everyone, including Toji and Kensuke, lost their homes and left. My friends.I don't have anyone I can call a friend anymore. There's no one. I can't go see Ayanami.

I don't have the courage for it. I don't know how I'm supposed to face her. Asuka, Misato-san, Mother.What should I.What should I do?.

Kaworu and Rei: Kaworu: 'You're the First Children, aren't you? Rei Ayanami.You're the same as me.So, both of us ended up in the same form as the Lilim while we inhabit this planet.' Rei: 'Who are you?' . Kaworu and Shinji talking in the Shower: Kaworu: 'I see. Humans constantly feel pain in their hearts.

Because the heart is so sensitive to pain, humans also feel that to live is to suffer. You're so delicate, like glass, especially your heart.' Shinji: 'Me?' Kaworu: 'Yes, you have my regard for it.' Shinji: 'Regard?' Kaworu: 'It means, I love you.' .

Rei: 'Why am I here? Why am I alive again?

And for whom? The Fifth Children.

I feel as if he's the same as me. Shinji: 'You betrayed me! You betrayed my feelings! You betrayed me, just like Father did!'

. Whether or not Asuka actually attempted suicide is a, although this is upon remembering her own mother's successful suicide. Kaworu's line to Rei about 'being the same as him' implies that Rei is the vessel of Lilith's soul, just as Kaworu is the vessel for Adam's.

This is proven as Rei deploys an A.T. Field in Central Dogma. Kaworu and Shinji lie down just like Asuka and Hikari did in the previous episode, but while Hikari seemed disturbed at Asuka's condition and Asuka was sobbing away and unwilling to face her, Kaworu and Shinji end up facing each other: they seem to have succeeded in communicating something with each other. When Kaworu tells Shinji he 'loves' him the word he uses is 'Suki,' which could mean 'love' or 'like,' depending upon the situation.

The original ADV subtitle translation gives the word as 'like,' while Platinum and the English dub use 'love.' . Kaworu places his hand on Shinji's the same way Misato placed her hand on his in the previous Episode. While the sexual intentions on Misato's part are plainly obvious, and drew Shinji's immediate disgust, he doesn't seem to mind Kaworu's touch that much, and is in fact confused about what he has in mind. Despite implications, Kaworu's gesture might merely have been a sign of trying to comfort Shinji rather than a sexual advance. Kaworu is sitting where the head of the winged statue should be. In the On-Air version it isn't clear if the statue is even humanoid, but in Death and in the Director's Cut version, the statue is very clearly a winged Angel, one with the head missing.

Kaworu either sits on the head of statue or stands on its neck. That he's on the statue of an Angel is a direct giveaway that he is the last Angel, and the missing head foreshadows his own death. Kaworu standing on top of the neck while talking to the monoliths is another subtle revelation.

The statue strongly resembles a Mass-Production Eva from End of Evangelion, and those have Kaworu dummy plugs inserted through the neck to control them. See for details of Kaworu's talk with the monoliths over the lake (only in the version), his monologue as he made his way to Terminal Dogma and his realization when he was there. Kaworu/Tabris is the last of a triad of Angels to try to understand and contact humans. As such, he forms part of the classical depiction of an Angel as a beautiful human being with a halo and wings.

Arael, representing a pair of glowing wings, and Armisael, representing a halo, complete the form of an Angel along with him. According to a translation of the original script (as opposed to the final version used in the show), Kaworu originally referred to Eva-02 as the 'slave of the Night Demon(Lilith)' instead of 'servant of the Lilin.' External links. Episodes & Films Episode 24 Movies :.

Hmm, it was easy to understand what they were trying to do, but it's also common knowledge that their budget wasn't the biggest near the end. So, I find it hard to really like this ending with the thought that it might not be what they wanted. And with the fact that they made End of Evangelion (which I love) and are doing the rebuild with possible new endings also lend some credit to the original ending being due to budget constraints. Given this, I don't think the original ending is terrible. It lets us think that Shinji finally made some progress psychologically, which is what I think the whole series was about. But at the same time, there were just so many things left unanswered or partially explained. So, needless to say, I prefer End of Evangelion since the result is similar but with more explanations.

And who knows, the rebuild might be the best yet, if they change it. Ugh - I don't mind a little introspective from the main character and I kind of like a little existentialism (Ergo Proxy is one of my favorites). But these last two episodes were a bit much. It felt like a cop out to a real ending. I've heard and read that they were short on budget at the end but I would have rather watched a blank screen with written text of a good ending than watched 'your world is defined by your perception of it' stretched out for 45 minutes over two episodes. I'm hoping for something better from the movies.

Hmm, I loved the television ending. Maybe if there was no EoE movie I would've given it a lower score, but I like how the last episodes compliment the external happenings in that movie. But I really enjoyed the probing of each of the major character's minds. And even though the obvious lack of budget annoyed me at first, I learned to appreciate it. It's like a minimalist stage play-just like how the art style was bare and raw, so the characters' psyches are laid out bare and raw for us to see. Not to mention that the ending of the episode-where we see that Shinji does progress toward learning to love himself, and then the rest of the cast congratulating him, was touching, for me.

Euphoriacide said: Hmm, I loved the television ending. Maybe if there was no EoE movie I would've given it a lower score, but I like how the last episodes compliment the external happenings in that movie.

But I really enjoyed the probing of each of the major character's minds. And even though the obvious lack of budget annoyed me at first, I learned to appreciate it. It's like a minimalist stage play-just like how the art style was bare and raw, so the characters' psyches are laid out bare and raw for us to see. Not to mention that the ending of the episode-where we see that Shinji does progress toward learning to love himself, and then the rest of the cast congratulating him, was touching, for me. The most intelligent person on this site.

I must say, that was the oddest ending to an anime I have ever seen. Don't get me wrong, I am not saying it was bad it was just different. I should have expected that from one of the more 'intellectual' animes. I think the last two episodes were a bit hard to take in (at least for me). That could have been because this is the first time I have watched this anime and should watch it again to be able to catch some more things. Also I should maybe read the manga.

It may have helped to read wikipedia before hand, but that would really just ruin it. So, the last two episodes were extremely interesting. I am still confused on what is going on in the episodes though suppose the Human Instrumentality Project has commenced.

Though the HIP was revealed slowly throughout the series, the major part of it was really just sprung at the very end. At first I thought the Human Instrumentality Project was what Gendo was doing with Rei with the tube and the big brain. Though I was completely wrong. So what I am trying to understand is what is the Human Instrumentality Project and why is it necessary to have a collective conciseness?

I am most likely missing a part of the story here, because I still don't understand what the 'plan' was. I think although that the last two episodes were executed very well though, though I think they could have done it a little differently, though I am sure they didn't know how to do it. I think it was very philosophical to say the least. Though I think that they could have made episode 25 and 26 one episode and added a real ending to it, but that would defeat he purpose for the spin off movies. Though they aren't how I would end it either (from what I have read on wikipedia). With these two episodes aside, I'd still rank the series 10/10, if including them 9. I haven't seen an anime like this in awhile that actually made me think.

I'd rather see an anime like this than a run of the mill hack and slash. So it was a nice change. Although I like the ending, I still see it as the director trying to cover his ass with an unconventional ending peppered with philosophical (or just solipsist?) ramblings. He knows he has run his story into a brick wall, his narrative is shot to hell, but he's got enough pride that he doesnt want to turn it into a generic action climax, so he goes the other way and into the mind of the protagonist.

He betrays the consistency of the series, which is a big no-no in my mind, unless you provide little indicators along the way that this is where we're going to end up, but everything we've had to that point was in one style, and the ending was in another. Why do you think we've got numerous movies that keep retelling the ending? Sure, the fans and popularity had some influence on that, but I think more stronger than that was the director's own dissatisfaction with how he ended the series, so now we get endings that are more in line with the rest of the series, in style, tone, and yep, action too. The EoE ending is superior in that it doesnt break consistency, but still retains the unconventional approach and shows us the inside of these characters without patronising voice overs, we see it through their actions and reactions, as it should be. EDIT: Of course budget is a big reason for the ending too, but I think just blaming the budget is a cop-out, these people arent clueless, you can still make a tense ending with minimal locations and characters. Definitely one of the best endings in my book, budget-restraints or not.

I guess I'm predisposed to like themes like that though, as I've studied philosophy. What episode 25 & 26 lacks in mundane action it makes up for 10 times with the depth of the theory covered in such a short amount of time.

Those episodes alone are really a masterpiece in terms of philosophy/psychology. I haven't seen anything that gets even close to this anywhere else. I showed the whole series to my philosophy-class some years ago, they were yawning through the first 17-18 episodes, then from 18-24 they started to get interested, and after 25-26 they thought it was the most awesome series ever. I can understand why some people are disappointed though, expecting an action-packed ending and instead getting 50 minutes that is pretty hard to understand fully without some substantial knowledge of metaphysics and epistemology. I guess that's the crux of the whole neverending flamewar about these two episodes.

That ending was one of the most unsatifying endings I've come across. It did give more insight to each of the characters' minds and it at the same time, summed it all up well to this point I guess. Other than that, it didn't do much else for me. The transition leading up to the final two episodes wasn't done well imo and as Cihan said, the ending felt like it's breaking the 'consistency' of the series. I'll accept that it is a very unique ending though and maybe I'll end up liking it once I grasp a better understanding of it.

I didn't actually expect a completely action-packed finale, just hoped that they would give us some answers to many of the questions that are left out there. I really loved the deep story and characters though. Time to watch EoE and Rebuild.:D.

Shinji's mental breakdown was a realistic element of the show, however it was dragged over too long a period. Of course it's very possible and even very true that Shinji's suffering caused him anguish over a long period of time, but I don't think the audience need's to be given a taste of this over several eps. The ending would have been much better if they simply put blatant emphasis on Shinji's 'craziness' (if it can be called that) rather than try to convey how deeply Shinji was affected by making their message to the audience longwinded and draggy.

Although I appreciate that this kind of ending is unique and not seen before, it still did not appeal to me. I felt that by the time the producers reached the end, they had lost sight of half of the original NGE.

Half of it is psychological self-evaluation of the characters, and that half was well explored. However, I felt that the action aspect of the anime was completely forgotten by the end. I thought some things I missed about NGE would come back during the eps, but it failed me. Now, I think I'll go watch EoE and the Rebuild movie to have a more informed opinion on Evangelion.

Okay, this episode as an anime episode was truly good. Not did it only show aspects of the mind of characters to deepen their personalities, and their mental stuff. I liked that part of it.

Heck, i loved the short alternate universe. It wouldn't have been a bad anime that way. But as an ending, this was pretty damn bad. Not only did it not actually tell us the way eva finished, other than shinji realizing that he killed nagisa (if it was clannad's nagisa, the ending would be perfect, but. Too many fantasies). But it actually made me question stuff like, what the hell happened to SEELE, the supposed mass produced EVAs, adam, Rei, Lilith, and the true meaning of angels.

It did a horrible job at answering questions that should have been answered in the ending. I could not keep the 'what the fuck is just happening' out of my head.

Evangelion 2.0

I knew some psychological shit was going on, but really. It was too sudden, and too unexplained for it to be an actual ending. Tl;dr, the ending as an episode was ok, the ending as an ending was shit. But because i understand budget situations, i guess i can let it go, since there are also the movies. And the whole anime made up for the ending, so yeah, a good anime deserves a good score, 10/10. Blame it on Gainax's inexperience with budgets for their series.: p Anyway, the two last episodes and End of Evangelion were created in such a way that they were really parallel stories.

Where these last two episodes explained the mental struggles of Shinji and Asuka, End of Evangelion was really the external perception; the characters and their actions based on these mental struggles and how these actions affected those around them, and ultimately, the world. I felt the last two episodes were great considering Gainax's budget problems at the time (it was noticeable from much earlier on), but it was still mediocre at best.

I've been on both ends of the spectrum. When I first saw it, I hated it and felt like Anno had beaten me up & stole my lunch money. But after seeing it a second time it made sense to me. The whole series was a big fake out anyway. It was never really about the evas & angels. It was always really about Shinji anyway.

Everything related to him and his psychology. It only seemed natural that once he reached a positive point and got some backbone that the series would end. As EoE, that's a whole nother can of worms (& primordial soup) that I'll stay away from:-P. Asandari said: I just loved the mental breakdown This is my mental breakdown after watching this ending.

I absolutely loved the last two episodes. I've watched them about a dozen times so far and i never tire of them because each time i watch them i can relate them to another facet of life and take a new meaning from them. But it's not just the content which appeals to me, it's the presentation.

What seems like babbling to many is to me a rich web of complex ideas linked together by the bare minimum of explanation and left open to the individual mind for a truly personal comprehension. And, as for the art: mind blowing. The first 24 episodes were the filler. 25-26 are Evangelion. Aoio said: The first 24 episodes were the filler.

25-26 are Evangelion. I think it was certainly necessary filler, though. The last two episodes and the movie (End of Evangelion) would not have been nearly as amazing without the first 24 episodes. I'm not denying that. I was just reading all the posts about how the last two episodes don't make sense etc and getting annoyed because, for me, the rest of the series is meaningless without those two episodes.

But of course, you're right, they wouldn't make any sense without the first 24. Aoio said: I absolutely loved the last two episodes. I've watched them about a dozen times so far and i never tire of them because each time i watch them i can relate them to another facet of life and take a new meaning from them.

But it's not just the content which appeals to me, it's the presentation. What seems like babbling to many is to me a rich web of complex ideas linked together by the bare minimum of explanation and left open to the individual mind for a truly personal comprehension. And, as for the art: mind blowing. The first 24 episodes were the filler. 25-26 are Evangelion.

A lot of people doesn't seem to understand what the ending is about. People who can relate to the main character knows what the movie is talking about. The ending was like mind teraphy. I guess someone has to explain more in depth. To me the ending raised the score from 8 to 9. It was that good.

I must say it's all way, way, way obvious (but nicely presented). Im still baffled by how something as obvious as this can be accused of being psychobabble. In my mind, this is what all of the 24 first episodes slowly led to. The story acts as a disguise. What is really important should be found elsewhere. And shinji's final decision is truly one of the most heartwarming moments i've ever seen in any series/film/whatever ever. Im going to watch end of evangelion too, although i'll be surprised if its the superior ending.

Ogrim88: Shinji's mind finally exploded. And was put back together. I enjoyed this ending.

More than End Of, at least. As I mentioned in a thread over in the End Of forum, this is the 'internal' plot, and End Of is the 'external' plot. Given that, by the end of the series, the Angel battles weren't doing much for me, and I was more interested in characterization, I was more receptive to this 'internal' plot. Add to that the fact that End Of is a massive downer ending, while episode 26 contains rays of sunlight at the end of a long and dark story. Hey, I like happy endings.especially if they star a mellow version of the theme song.